&nbsp;Enterprise Blonde Ale is "Crushable" and a favorite among ALE-iens throughout the Alpha Quadrant.

During the week of August 1-6, the Star Trek Beer collaboration with Lost World's and the Federation of Beer beams into Las Vegas in time with the world's first and largest Star Trek Convention, Star Trek Las Vegas.

Close to 15,000 fans of Star Trek will be there to drink the 57th Anniversary Ale for the first time, cosplay, meet actors, directors, producers, writers, artists and most importantly have a stellar time with friends of the franchise.

There will be launch parties at the Rio (Aug 3), Atomic Liquors (Aug 2-6), Millenium Fandom Bar (Aug 4) and Fremont Street Experience (Aug 5).

To learn how the Federation of Beer can beam into local brewers, support local, and brew officially licensed Star Trek beer in over 80 countries on Earth, drop by our booth at Rio All-Suite Hotel and Casino Aug 3 - 6. There, the Federation will offer limited release glassware, coasters and apparel.

Also at Star Trek Las Vegas are friends of the Federation, the Licensed SteamTrek Fan Club, USS Decatur. The USS Decatur will be conducting a Toy Drive with 98.5 KLUC 's Chet Buchanan to bring smiles to children in Nevada.

For more information and updates on the launch parties, visit us at:

<a href="https://federationofbeer.com/" target="_blank" rel="nofollow">https://FederationofBeer.com</a>.

#LLAP #Crusher #Beverly #Wesley #StarTrek, #LasVegas #craftbeer #Nevada

STAR TREK &nbsp;and related marks and logos are trademarks of CBS Studios Inc.

<h1>Star Trek's Enterprise Blonde Ale to be Launched in Las Vegas Aug 2nd until 6th</h1>Lost Worlds Brewing and Federation of Beer " collabeerated " with Paramount Consumer Products to mash in and brew a traditional blonde ale to honor the USS Enterprise and the adventurous spirit that drives its mission to go where no man has gone before...&nbsp;Enterprise Blonde Ale is "Crushable" and a favorite among ALE-iens throughout the Alpha Quadrant.During the week of August 1-6, the Star Trek Beer collaboration with Lost World's and the Federation of Beer beams into Las Vegas in time with the world's first and largest Star Trek Convention, Star Trek Las Vegas.Close to 15,000 fans of Star Trek will be there to drink the 57th Anniversary Ale for the first time, cosplay, meet actors, directors, producers, writers, artists and most importantly have a stellar time with friends of the franchise.There will be launch parties at the Rio (Aug 3), Atomic Liquors (Aug 2-6), Millenium Fandom Bar (Aug 4) and Fremont Street Experience (Aug 5).To learn how the Federation of Beer can beam into local brewers, support local, and brew officially licensed Star Trek beer in over 80 countries on Earth, drop by our booth at Rio All-Suite Hotel and Casino Aug 3 - 6. There, the Federation will offer limited release glassware, coasters and apparel.Also at Star Trek Las Vegas are friends of the Federation, the Licensed SteamTrek Fan Club, USS Decatur. The USS Decatur will be conducting a Toy Drive with 98.5 KLUC 's Chet Buchanan to bring smiles to children in Nevada.For more information and updates on the launch parties, visit us at:<a href="https://federationofbeer.com/" target="_blank" rel="nofollow">https://FederationofBeer.com</a>.#LLAP #Crusher #Beverly #Wesley #StarTrek, #LasVegas #craftbeer #NevadaSTAR TREK &nbsp;and related marks and logos are trademarks of CBS Studios Inc.All Rights Reserved.Federation of Beer Ltd. made Furst Contact to the Craft Brewing sector on October 23, 2014. Over the past decade, Federation of Beer has brewed in Europe and North America. 

Since 2022, the Federation is now seeking out strange new collaborations throughout the Carribean, Europe and the Americas (South, Central & North).Vern Raincock
587-503-5555 (o)
https://www.federationofbeer.com/pre-order-form

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Event

Lost Worlds Brewing and Federation of Beer " collabeerated " with Paramount Consumer Products to mash in and brew a traditional blonde ale to honor the USS Enterprise and the adventurous spirit that drives its mission to go where no man has gone before...

Star Trek's Enterprise Blonde Ale to be Launched in Las Vegas Aug 2nd until 6th

BURBANK, United States—From princess costumes and cute character sketches to century-old toys, photos and documents, Disney’s backrooms and warehouses are stacked to the rafters with “hundreds of millions” of filmmaking treasures, its archivists say.

In celebration of the company’s upcoming centennial—officially marked on Oct. 16—Disney recently allowed a glimpse into its vaults, hosting a media visit to its film studio lot in Burbank, near Los Angeles.

“This is what we call the tip of the iceberg,” said Walt Disney Archives director Becky Cline, before presenting artifacts ranging from the studio’s founding legal document and the first Mickey Mouse cartoon script to costumes from the latest Marvel films.

Many more items are currently out touring the world, with “Disney100: The Exhibition” on display simultaneously in Munich and Philadelphia. More locations including London will be added soon.

Paris is currently hosting an immersive, multi-sensory experience, centered around the friendships between Disney’s iconic characters.

But a major portion of the studio’s archives is in “five or six” warehouses “scattered around” the Los Angeles area, including larger items such as former theme park ride vehicles and movie props, said archivist Nicole Carroll.

“We make so much stuff, we’re always looking for more space!” she said.

Founded in 1970, the 30-strong team of archivists aim to keep a “small representation” of everything, Carroll explained.

For example, if a recently wrapped movie has 250 lavish costumes, including four or five for each of the heroes, the archive team will select “a couple of iconic looks from each character” for posterity.

Even with this selective approach, every time a film wraps, “we could be adding hundreds of things” to the archive, said Carroll.

Among the studio’s most treasured memorabilia are the giant storybooks featured at the start of “Snow White and the Seven Dwarfs” and “Sleeping Beauty,” and a crystal slipper from the live action version of Cinderella.

Some items end up serving a practical purpose—an original snow globe from 1964’s “Mary Poppins” was pulled from the archive and replicated by filmmakers creating the 2018 sequel.

Factor in photo and document archives containing first-edition cartoons, tickets to Disneyland’s 1955 opening, plus corporate reports and press clippings, and the total collection extends to “hundreds of millions” of items, said Cline.

But perhaps the most hallowed space for Disney obsessives is located right on the Burbank lot—founder Walt Disney’s personal offices, from which he managed his entertainment empire from 1940 until his death in 1966.

A painstaking inventory of every item he left behind was taken, right down to the exact resting angle of his books, including volumes on Nikola Tesla, Salvador Dali and trains.

Just under a decade ago, those offices were restored by Walt Disney Archives employees.

They now contain everything from unfinished plans for theme parks to figurines of beloved fairy tale characters.

Just a few tour groups are admitted each year to this space, considered sacred by cognoscenti of a company renowned for the almost unparalleled obsession of its fandom.

“People come in and cry at this amazing human,”&nbsp;said tour guide Laura Sanchez.

“They get to walk in the past.”&nbsp;

<h1>Filmmaking treasures in ‘hundreds of millions’: Disney gives glimpse of vast archive for centennial celebrations </h1>BURBANK, United States—From princess costumes and cute character sketches to century-old toys, photos and documents, Disney’s backrooms and warehouses are stacked to the rafters with “hundreds of millions” of filmmaking treasures, its archivists say.In celebration of the company’s upcoming centennial—officially marked on Oct. 16—Disney recently allowed a glimpse into its vaults, hosting a media visit to its film studio lot in Burbank, near Los Angeles.“This is what we call the tip of the iceberg,” said Walt Disney Archives director Becky Cline, before presenting artifacts ranging from the studio’s founding legal document and the first Mickey Mouse cartoon script to costumes from the latest Marvel films.Many more items are currently out touring the world, with “Disney100: The Exhibition” on display simultaneously in Munich and Philadelphia. More locations including London will be added soon.Paris is currently hosting an immersive, multi-sensory experience, centered around the friendships between Disney’s iconic characters.But a major portion of the studio’s archives is in “five or six” warehouses “scattered around” the Los Angeles area, including larger items such as former theme park ride vehicles and movie props, said archivist Nicole Carroll.“We make so much stuff, we’re always looking for more space!” she said.Founded in 1970, the 30-strong team of archivists aim to keep a “small representation” of everything, Carroll explained.For example, if a recently wrapped movie has 250 lavish costumes, including four or five for each of the heroes, the archive team will select “a couple of iconic looks from each character” for posterity.Even with this selective approach, every time a film wraps, “we could be adding hundreds of things” to the archive, said Carroll.‘Cry’Among the studio’s most treasured memorabilia are the giant storybooks featured at the start of “Snow White and the Seven Dwarfs” and “Sleeping Beauty,” and a crystal slipper from the live action version of Cinderella.Some items end up serving a practical purpose—an original snow globe from 1964’s “Mary Poppins” was pulled from the archive and replicated by filmmakers creating the 2018 sequel.Factor in photo and document archives containing first-edition cartoons, tickets to Disneyland’s 1955 opening, plus corporate reports and press clippings, and the total collection extends to “hundreds of millions” of items, said Cline.But perhaps the most hallowed space for Disney obsessives is located right on the Burbank lot—founder Walt Disney’s personal offices, from which he managed his entertainment empire from 1940 until his death in 1966.A painstaking inventory of every item he left behind was taken, right down to the exact resting angle of his books, including volumes on Nikola Tesla, Salvador Dali and trains.Just under a decade ago, those offices were restored by Walt Disney Archives employees.They now contain everything from unfinished plans for theme parks to figurines of beloved fairy tale characters.And, of course, several Oscars.Just a few tour groups are admitted each year to this space, considered sacred by cognoscenti of a company renowned for the almost unparalleled obsession of its fandom.“People come in and cry at this amazing human,”&nbsp;said tour guide Laura Sanchez.“They get to walk in the past.”&nbsp;

Film / Drama

Filmmaking treasures in ‘hundreds of millions’: Disney gives glimpse of vast archive for centennial celebrations  

THE chief of the National Telecommunications Commission (NTC), Atty. Ella Blanca Lopez, lauded Aliw Broadcasting Corporation for its unwavering commitment to providing Filipinos with exceptional news and entertainment, as she graced the official launch of Aliw Channel 23 on Friday.

“On behalf of the National Telecommunications Commission, I would like to extend our warmest congratulations to Aliw Broadcasting Corporation as we come together to celebrate yet another milestone for your organization. The launch of Aliw Channel 23 is a testament to your institution’s dedication in providing Filipinos with the best sources of news and entertainment,” the commissioner said.

Lopez graced the official launch of Aliw Channel 23 as the Guest of Honor at The Podium Hall, 6th Floor, 12 ADB Avenue, Ortigas Center, Mandaluyong City.

The event drew a distinguished audience, including Senator Cynthia Villar, commissioners, ambassadors, and other guests from public and private institutions. They were welcomed by the executive officers ofAliw Broadcasting Corporation led by Chairman and President D. Edgard A. Cabangon.

Atty. Lopez delivered a compelling keynote address, extending her congratulations to Aliw Broadcasting Corporation on this significant milestone.

During her speech, Lopez recognized Aliw Channel 23’s alignment with the government’s principles and values, particularly in light of President Ferdinand “Bongbong” Marcos Jr.’s recent statement on combating fake news and promoting access to reliable information. She emphasized the importance of crafting and broadcasting content that upholds truth and trust.

“Earlier this week, during the International Conference of Information Commissioners (ICIC), our dear president, His Excellency Ferdinand “Bongbong” Marcos Jr., was quoted as saying ‘fake news has noplace in Philippine Society.’ He asserted that the country should continue advancing the people’s right to access information. I believe that Aliw Channel 23 will share the same principle and trust as the government, as it begins to craft and air its content,” Lopez affirmed.

Recognizing the significance of television as a medium of communication, the NTC chief referenced data from Kantar, which revealed that a significant portion of the Filipino population still watch television. With 21.7 million households and 92.9 million individualsengaged in television viewing, there is tremendous potential for growth in the industry, she said. Lopez encouraged Aliw Channel 23 to create compelling content that captivates viewers’ attention.

“As Aliw embarks on this new journey, rest assured that NTC will be supportive of your endeavors,” she said. Assuring Aliw Broadcasting Corporation of the NTC’s unwavering support, Lopez emphasized that the grant of authority to install, operate, and maintain digital TV broadcasting using Channel 23 was based on a thorough evaluation of the institution’s qualifications.

“The Filipino TV viewing public is eagerly awaiting to see what Aliw Channel 23 has to offer. This public sentiment should inspire your outfit to create awe-inspiring, truthful, educational, and uplifting content. This much, we owe to the Filipino people,” she stressed. “Not to worry, though, as I have trust and confidence in Aliw, as credible and responsible broadcast comes hand to hand in established institutions like yours. Just continue to do what you do best,” she added.

Aliw Broadcasting Corporation conveyed its gratitude and appreciation to Commissioner Lopez and NTC for their warm support. The company promised to deliver truthful and informative news that will benefit the country.

<h1>NTC chief lauds Aliw Broadcasting at Channel 23 launch</h1>THE chief of the National Telecommunications Commission (NTC), Atty. Ella Blanca Lopez, lauded Aliw Broadcasting Corporation for its unwavering commitment to providing Filipinos with exceptional news and entertainment, as she graced the official launch of Aliw Channel 23 on Friday.“On behalf of the National Telecommunications Commission, I would like to extend our warmest congratulations to Aliw Broadcasting Corporation as we come together to celebrate yet another milestone for your organization. The launch of Aliw Channel 23 is a testament to your institution’s dedication in providing Filipinos with the best sources of news and entertainment,” the commissioner said.Lopez graced the official launch of Aliw Channel 23 as the Guest of Honor at The Podium Hall, 6th Floor, 12 ADB Avenue, Ortigas Center, Mandaluyong City.The event drew a distinguished audience, including Senator Cynthia Villar, commissioners, ambassadors, and other guests from public and private institutions. They were welcomed by the executive officers ofAliw Broadcasting Corporation led by Chairman and President D. Edgard A. Cabangon.Atty. Lopez delivered a compelling keynote address, extending her congratulations to Aliw Broadcasting Corporation on this significant milestone.During her speech, Lopez recognized Aliw Channel 23’s alignment with the government’s principles and values, particularly in light of President Ferdinand “Bongbong” Marcos Jr.’s recent statement on combating fake news and promoting access to reliable information. She emphasized the importance of crafting and broadcasting content that upholds truth and trust.“Earlier this week, during the International Conference of Information Commissioners (ICIC), our dear president, His Excellency Ferdinand “Bongbong” Marcos Jr., was quoted as saying ‘fake news has noplace in Philippine Society.’ He asserted that the country should continue advancing the people’s right to access information. I believe that Aliw Channel 23 will share the same principle and trust as the government, as it begins to craft and air its content,” Lopez affirmed.Recognizing the significance of television as a medium of communication, the NTC chief referenced data from Kantar, which revealed that a significant portion of the Filipino population still watch television. With 21.7 million households and 92.9 million individualsengaged in television viewing, there is tremendous potential for growth in the industry, she said. Lopez encouraged Aliw Channel 23 to create compelling content that captivates viewers’ attention.“As Aliw embarks on this new journey, rest assured that NTC will be supportive of your endeavors,” she said. Assuring Aliw Broadcasting Corporation of the NTC’s unwavering support, Lopez emphasized that the grant of authority to install, operate, and maintain digital TV broadcasting using Channel 23 was based on a thorough evaluation of the institution’s qualifications.“The Filipino TV viewing public is eagerly awaiting to see what Aliw Channel 23 has to offer. This public sentiment should inspire your outfit to create awe-inspiring, truthful, educational, and uplifting content. This much, we owe to the Filipino people,” she stressed. “Not to worry, though, as I have trust and confidence in Aliw, as credible and responsible broadcast comes hand to hand in established institutions like yours. Just continue to do what you do best,” she added.Aliw Broadcasting Corporation conveyed its gratitude and appreciation to Commissioner Lopez and NTC for their warm support. The company promised to deliver truthful and informative news that will benefit the country.

Government offices / organizations

NTC chief lauds Aliw Broadcasting at Channel 23 launch

The leading video streaming platform in Indonesia, Vidio, offers its 60 million monthly active viewers a collection of premium content anytime and anywhere, from sports live streaming to national and international TV, Vidio Original Series, Korean Drama, Anime, Asian, Kids, Bollywood, and Hollywood Blockbusters. Vidio is known as the “Home of Sports” in Indonesia as it is appointed as an official broadcaster of top premium global sports such as FIFA WorldCup, Premier League, NBA, and UEFA Champions League; and also well recognized as the “Home of Local Content” as it airs exclusively the local major sports league and the most aggressive OTT releasing local original series in the country.

In the modern era, where customers are overloaded with information and dwindling attention spans, a platform like Vidio must engage customers rhythmically and contextually, using relevant communication across their preferred channels. One of the key challenges for an OTT service provider is building contextual communication and reaching customers across every single touchpoint in their lifecycle journey.

This translates into engaging customers by providing personalized recommendations suited to their likes and preferences across the channels they are most active on. To do that, brands must first develop a deeper customer understanding, and that is precisely where Vidio aims to leverage MoEngage’s insights-led platform.

'Understanding our customers’ content preferences are our utmost priority, and I’m fully convinced that MoEngage will help us deepen customer understanding, in turn helping us engage them on a higher level, through rich, personalized experiences across preferred communication channels’, said Hadikusuma Wahab, Chief Product Officer, Vidio.

Through MoEngage, Vidio will create a contextual communication framework wherein they can reach viewers and engage them using content personalized to their taste and favorite genres and serve recommendations around upcoming original series, shows, movies, and sports they’d love.

Speaking about the scope of this partnership, Roy Simangunsong, Country Head Indonesia, MoEngage, mentioned, ‘For a leading OTT platform like Vidio, we understand how crucial it is to provide hyper-personalized, relevant, connected, and seamless customer experiences to ensure meaningful engagement. We are delighted and honored to be part of Vidio’s journey. We are dedicated to providing them with all the right insights needed to ensure a rich and relevant experience the end consumers rightly deserve!’&nbsp;

<h1>Indonesia’s Largest Video Streaming Platform, Vidio, Onboards MoEngage to Drive Personalized Engagement Across the Customer Lifecycle</h1>The leading video streaming platform in Indonesia, Vidio, offers its 60 million monthly active viewers a collection of premium content anytime and anywhere, from sports live streaming to national and international TV, Vidio Original Series, Korean Drama, Anime, Asian, Kids, Bollywood, and Hollywood Blockbusters. Vidio is known as the “Home of Sports” in Indonesia as it is appointed as an official broadcaster of top premium global sports such as FIFA WorldCup, Premier League, NBA, and UEFA Champions League; and also well recognized as the “Home of Local Content” as it airs exclusively the local major sports league and the most aggressive OTT releasing local original series in the country.In the modern era, where customers are overloaded with information and dwindling attention spans, a platform like Vidio must engage customers rhythmically and contextually, using relevant communication across their preferred channels. One of the key challenges for an OTT service provider is building contextual communication and reaching customers across every single touchpoint in their lifecycle journey.<img style="max-width:100%;height:auto;" src="https://vritimes-public.s3.ap-southeast-1.amazonaws.com/production/4b2d396fe0f3abd774b1d89c182820a8069acea6c4d2077c4e76ad4f861335c1/moengage_image_2.jpg" alt="Image"/>This translates into engaging customers by providing personalized recommendations suited to their likes and preferences across the channels they are most active on. To do that, brands must first develop a deeper customer understanding, and that is precisely where Vidio aims to leverage MoEngage’s insights-led platform.'Understanding our customers’ content preferences are our utmost priority, and I’m fully convinced that MoEngage will help us deepen customer understanding, in turn helping us engage them on a higher level, through rich, personalized experiences across preferred communication channels’, said Hadikusuma Wahab, Chief Product Officer, Vidio.Through MoEngage, Vidio will create a contextual communication framework wherein they can reach viewers and engage them using content personalized to their taste and favorite genres and serve recommendations around upcoming original series, shows, movies, and sports they’d love.<img style="max-width:100%;height:auto;" src="https://vritimes-public.s3.ap-southeast-1.amazonaws.com/production/40c5c37ff5d0aa5deaa36cc05af4c5d00ec2aad339f107303d3d31527aa41f62/moengage_image_1.jpg" alt="Image"/>Speaking about the scope of this partnership, Roy Simangunsong, Country Head Indonesia, MoEngage, mentioned, ‘For a leading OTT platform like Vidio, we understand how crucial it is to provide hyper-personalized, relevant, connected, and seamless customer experiences to ensure meaningful engagement. We are delighted and honored to be part of Vidio’s journey. We are dedicated to providing them with all the right insights needed to ensure a rich and relevant experience the end consumers rightly deserve!’&nbsp;
About Vidio 
Vidio is the first Indonesian-made OTT, which was founded in 2014. As the first local OTT, Vidio has an inherent understanding of the market and curates the best content for Indonesian watchers. Vidio connects to more than 50 TVs & 30 radios and delivers the most extensive streaming service. Vidio offers millions of local and international contents through its VOD services and pays TV network subscriptions, including Vidio Original Series, TV series, dramas, cartoons and animations, documentaries, as well as thousands of sporting events from a wide range of leagues, including the Premier League and the 2022 World Cup in Qatar. Vidio is dedicated to giving its users the best and most convenient access to entertainment, regardless of their location or device. 

About MoEngage 
MoEngage is an insights-led customer engagement platform, trusted by more than 1200 global such as Kredivo, Alfamart, BliBli, Socialla, XL Axiata, Alodokter, Citibank, Mamikos, 7-Eleven, CIMB Bank, and more.
MoEngage empowers marketers and product owners with insights into customer behavior and the ability to act on those insights to engage customers across the web, mobile, email, social, and messaging channels. Consumer brands across 35 countries use MoEngage to power digital experiences for over 1 billion users every month. 

With offices in 13 countries, MoEngage is backed by Goldman Sachs Asset Management, B Capital, Steadview Capital, Multiples Private Equity, Eight Roads, F-Prime Capital, Matrix Partners, Ventureast, and Helion Ventures. 

MoEngage was recognized as a Customers’ Choice Vendor in the 2022 Gartner Peer Insights ‘Voice of the Customer’ for the Multichannel Marketing Hubs Report and a Strong Performer in the Forrester Wave™: Cross-Channel Marketing Hubs, Q1 2023 Evaluation. 

To learn more, visit https://www.moengage.com/